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'Judgement at Nuremberg'




7 p.m. Argenta Community Theater. $8.

The latest in the Little Rock Film Festival's ongoing Argenta Film Series is a documentary about a former child soldier from Uganda who escaped his brutal upbringing and moved to the United States. Kassim "The Dream" Ouma was drafted into the National Resistance Army at the age of 6. He began boxing a few years later and realized the sport could be his way out. Ouma came to the states on a trip with a Ugandan boxing team and decided to stay, a move that was not without its awful consequences. He was considered a deserter, and his father was beaten to death by soldiers, according to a 2007 profile in The Guardian. His boxing career included several high-profile victories, and allowed him to support his large family, with members both in the states and back in Uganda. This film follows Ouma as he trains for a bout with Jermain Taylor in North Little Rock. Director Kief Davidson ("The Devil's Miner") will attend the screening.



8 p.m. Stickyz. $15.

This is definitely one that the bona fide blues buffs out there won't want to miss, but they've probably been hip to Tab Benoit for a minute and have been looking forward to this show for weeks. For those who aren't, this South Louisiana axe-man has been wringing swampy white-boy blues out of his Telecaster for a couple of decades now, earning an induction into the Louisiana Music Hall of Fame last year. The whole time, he's eschewed welding any trendy alt-rock affectations onto his craft, instead faithfully continuing on the trail blazed by the likes of Albert King and Stevie Ray Vaughan. Across more than a dozen albums Benoit has collaborated with the likes of Jimmy Thackery, Charlie Musselwhite, various Nevilles and members of Beausoleil, Louisiana's LeRoux and Vaughan's band Double Trouble. In terms of subject matter, he's tackled the trad blues themes: women, drinkin', trouble, etc. But he's also a vocal advocate for wetlands preservation, heading up the Voice of the Wetlands nonprofit. On "A Whole Lotta Soul," from this year's "Medicine," Benoit asks "What you gonna tell the spirit / when the heart of the bayou bleeds." Opening up the 18-and-older show is local blues quartet Brown Soul Shoes, which has been stirring up a potent mix of Delta-style blues and classic Memphis soul for a couple of years now.



7:30 p.m. The Weekend Theater. $12-$16.

This play is based on the 1961 film of the same name, which was in turn based on the trials at the Nuremberg Military Tribunals of four German judges whose rulings during the Third Reich allowed for the Nazi murders of the Holocaust. The work examines the ways that seemingly compassionate, reasonable individuals can become party to atrocities and how they are held responsible for their actions within the framework of a larger societal crime. "The reason I wanted to produce and direct 'Judgment at Nuremberg' this year is because I believe that people forget about how abusive all humans can become if we do not get reminded over and over that it is so easy to slip into denial and rationalization," said Ralph Hyman, director of the production. The show runs at 7:30 p.m. Fridays and Saturdays through Dec. 17.



9:30 p.m. Stickyz. $10.

This right here is some Black Crowes-style bloozey Southern rock, complete with a touch of gospel, a back-pocket full of boogie and a hogleg packed with the goody-good stuck in the brim of a perfectly broken-in floppy Keith Richards hat. Jonathan Tyler & The Northern Lights got started a few years ago in a little hamlet called Dallas, Texas. Of course, no Crowes discipleship would be complete without a stint at the Rolling Stones Academy of Rock 'n' Roll Decadence, and JT&TNL have done their time. According to the band's bio, the early years were somewhat fraught with substances: "We played until we were about 20, and that's when we discovered booze and drugs, and we quit. Just basically started experimenting with everything. I'm not trying to glamorize any of it, but we went from pure as driven snow to really into some really crazy stuff. It was a real wakeup call when one of my closest friends was lost to an overdose." Now, we're all aware of how the youngsters in the PADIFW (that'd be the Plano-Arlington-Dallas-Irving-Fort Worth metro) have struggled over the years with "chiva" or "cheese" or whatever weird, low-price permutation of heroin is currently in vogue. But credit Tyler with living and learning: Drugs? Drugs are bad, m'kay? They can be useful in terms of songwriting material, but you gotta get off that ride at some point and the sooner that happens the likelier you are to live to sing about it. Zach Williams and The Reformation opens up this 18-and-older show.



4 p.m., 8 p.m. Verizon Arena. $31-$63.

How's this for an unlikely music-biz success story: Some of the principal members of Savatage – a long-running metal turned hard-prog band that had found middling success throughout the '80s and '90s – formed a symphonic metal side-project inspired by the Russian Revolution. They released a trio of Christmas-themed albums, in the process becoming one of the biggest concert draws in the country, thus earning glory, approbation and mountains of money beyond any of their wildest dreams. I think that deserves a cot-dang round of applause. The Trans-Siberian Orchestra is the ultimate story of heavy metal geeks done good. With its Christmas-themed concert and laser-light-show-overload extravaganza, the band has sold somewhere in the neighborhood of eleventy-gadzillion concert tickets since its inception and you just know that somewhere out there, the guys in Queensrÿche are kicking themselves for not coming up with something like this, right?



10 p.m. Juanita's. $15 adv., $18 door.

Sounding (and looking) like the weird love child of Porter Wagoner, Dracula and Cramps guitarist Poison Ivy, Unknown Hinson sprang forth from the hills 'n' hollers of North Carolina via that most honest and unflinching of all media – public access television. He is the self-proclaimed "king of country-western troubadours" and has the custom-made finery to prove it, though his songs also make a strong case for the designation. On listening to his tunes, Hinson's singing might stir in you a memory: "Where have I heard that most distinctive Southern drawl before?" The answer: cartoons, that's where. Hinson provides the voice of Early Cuyler on Adult Swim's animated late-night program "Squidbillies," which is the most spiritually resonant portrayal of rural Southern archetypes since "Absalom, Absalom!" even if it is just a cartoon about a bunch of redneck cephalopods. Anyways, if you're not already familiar with Unknown Hinson, but you're a fan of The Cramps, "Squidbillies," Andy Kaufmann, Hasil Adkins, old-school country music or just good old-fashioned campy good times, then I would recommend you get out to this show. Opening act is the always enjoyable Salty Dogs.

SUNDAY 12/11


2 p.m. UCA. $23-$40.

Pat Boone, 77, got his start in the music business, singing innocuous, neutered approximations of R&B hits originally recorded by black artists. He's still singing, but in recent decades, he's also taken up extreme right-wing punditry. Yes, Boone has served selflessly as an unwavering voice for the traditional values our nation was built upon, crying out against the lunacy of liberalism, the folly of feminism and the unrelenting homosexual cabal that is threatening the very fabric of our nation (in all seriousness, check out some of the hate-filled, certifiably loony rants Boone has penned for wing-nut mainstay World Net Daily; he actually compared liberals to "black filthy" cancer cells). But here's another thing: Boone is also an expert on economics. That's right, for the last few years he has been hawking for gold merchants Swiss America Trading Corp., letting us know about the secret, nefarious plot hatched by Barack Obama (who, according to Boone, is a Kenyan-born Muslim America-hater) and Fed Chairman Ben Bernanke to devalue the dollar to the point of worthlessness, leaving (precious, precious) gold as "the only trustworthy currency on Earth." Wow, thank goodness for guys like Boone and Glenn Beck who are doing everyone a solid by encouraging them to buy gold. I'm sure they just have everyone's best interests at heart, right? It's not like gold prices ever soared during a recession only to come crashing back to earth years later, right?


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