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"For those of us who have followed Julian Schnabel's larger-than-life career as an artist for nearly thirty years, watching his new movie The Diving Bell and the Butterfly is a doubly extraordinary experience. It is a film that presents a nightmarish and almost unbearable medical case history that has been handled with humor, a lyrical deftness, and a remarkable absence of sentimentality; and if you have more than a passing sense of Schnabel the person and his work as a painter, your mind is running at the same time on a parallel track, one full of amazement and almost disbelief that, with no apparent training in theater arts or the directing of actors, or even a feeling for photography, he has turned himself into a sometime moviemaker—this is his third film—of such drive and sensitivity. The movie is about a patient's transformation of himself as he lies in a hospital bed; and it has been made by someone who, with a perhaps related kind of strength, is similarly extending himself." - - Sanford Schwartz on the work of Julian Schnabel in The New York Review of Books. 

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