Hendrix College's Dr. Jay Barth
will give a talk and sax player Dr. Barry McVinney
and pianist Mark Binns
will provide the music at tonight's
opening of "The Sign of the Times: The Great American Political Poster"
in the Windgate Gallery at UA Pulaski Tech's CHARTS (The Center for Humanities and Arts). The event runs from 6 p.m. to 8 p.m.
The exhibition, from ExhibitsUSA, includes posters from 1844 to 2012, which are shown both as an example of poster art, the dawn of lithography, and to stimulate talk about the politics of the past. The exhibition tracks changes in styles, from the use of political artists like Ben Shahn
and illustrator James Montgomery Flagg
during the World War II to the "floating head" design of the 1950s and 1960s and beyond.
Here's more about the show from the exhibition news release:
Sign of the Times: The Great American Political Poster 1844–2012 explores a variety of styles, design trends, and printing technology that will delight your eye, engage your imagination, and lead you to ruminate over past political commitments. The political campaign poster had its humble beginnings in the 1840s when the new lithographic printing process, largely developed in Germany, was developed to satisfy a growing demand for printed material. Hand-colored portraits of presidential and vice-presidential candidates were first printed for the 1844 race between Whig Party candidate Henry Clay and the eventual winner, James K. Polk of the Democratic Party. ...
The left-wing counterculture revolution of the 1960s was awash in civil rights, psychedelia and anti-war posters that culminated in the creation of some of the finest campaign posters, many of which appeared in the 1968 Democratic primary campaign of Eugene McCarthy. The George McGovern campaign that followed in 1972 was a virtual explosion of exciting political art. The offset printed poster was the more frequent, but many famous artists, such as Alexander Calder and Peter Max, screenprinted limited editions that helped fund campaigns. Hundreds of posters were created by well-known artists, illustrators, and often by inspired first time poster makers.
After the graphically exciting 1972 presidential campaign, future contests produced only a few outstanding posters in each election cycle. However, the Democrat’s nomination of Barack Obama in 2008 heralded a renaissance of the form, as many artists—insiders, outsiders, and the famous—jumped on the candidate’s bandwagon. In fact, in 2008 it looked as if the great American political poster had at last solidified its place in future campaigns. Unfortunately, it was not to be; in 2012 the creation of exciting innovative posters tapered off sharply from the previous presidential election cycle.