8 p.m. Hendrix. Free.
I chose where I attended college — among similar schools — mainly because every year the student activities board managed to bring bands like R.E.M. and A Tribe Called Quest to play for the tiny student body in Podunk, Va. I was a moron. But so are a lot of 17-year-olds.
If those sorts of rising seniors are considering Hendrix, they should be in good shape. In recent years, there's been no better venue in Central Arkansas. Spoon, Clipse, Girl Talk, Grace Potter and The Nocturnals, Deerhunter, Big Boi and Yelawolf have all made appearances in recent years.
Freddie Gibbs' name might not pop like some of those mentioned, but that'll probably change. The Gary, Ind., native was signed, briefly in the mid aughts, to Interscope. Before that and with more urgency afterwards, he's flooded the Internet with double-time raps about street life. Last year, he signed to Young Jeezy's imprint, CTE Music.
Nothing he's done that I've heard sounds particularly unique; rather, as the critic Tom Breihan has suggested, Gibbs is a master synthesist, pulling technique from all sorts of greats. Here's betting that technical skill and persistence put him more into the mainstream in the years to come.