The NYTimes today reports on the emergence of conservative documentary filmmakers. Apparently the movement was partly conceived in Fayetteville.
Mr. Hubbard traces his own passion for the hitherto missing conservative cinema to an experience almost five years ago, when he was attending the University of Arkansas law school. He and his wife, he says, went to their local art house, where the menu was “Bowling for Columbine,” “Frida” and “The Life of David Gale” — films, respectively, by a liberal, about a Marxist and against capital punishment. The Hubbards weren’t pleased.
“We support art,” Mr. Hubbard explained during a recent interview. “We want more people to make films with all perspectives. But what we noticed was a definite lack at the center-right of things. If you look at the top 20 documentaries in the political genre, 18 or 19 take a left-of-center position. And if you look at the last election, 51 percent of the country takes a right-of-center position. You’d think there’d be a market there.”